A first complete draft of Chapter 7 is now in place. This explores some of the physics that allows you to tell the difference between the many types of plucked and struck stringed instruments. By the end of the chapter, we begin to encounter important nonlinear effects. Those set the scene for Chapter 8, where nonlinear effects will be surveyed more systematically.
A postscript has been added to the discussion of the banjo, a new section 5.5.3. It augments the previous discussion with some new measurements showing the effect of changing the banjo bridge to a wide range of alternative designs.
A complete draft of Chapter 6, on hearing, perception and psychoacoustics, is now in place. This one has taken me rather outside my area of expertise, so I hope I haven’t said anything too misleading.
The gap left by attacking Chapter 5 before Chapter 4 has now been filled in. I think it should now read continuously from the start to the end of Chapter 5 (so far). Some loose ends to be tidied up, though.
Chapter 4 is on hold because of a need to get Chapter 5 drafted. That chapter now has a lot of content, mainly about plucked-string instruments but a bit about the vibration behaviour of violin bodies as well.
A complete draft of Chapter 3, on tuned percussion instruments, is now in place
A first complete draft of Chapter 2 has now been added, and Chapter 3 is beginning to take shape.
First effort to get something launched. Good so far…